Tolkien

The battle between good and evil--in both the seen and unseen worlds--was as clearly at play in the era of C. S. Lewis and his friends in the Oxford literary group, the Inklings, as in our own era. Some of the members of the Inklings carried physical and psychological scars from World War I which led them to deeply consider the problem of evil during the dark era of World War II. Were they alive today, their view of a spiritual conflict behind physical battles would undoubtedly be reinforced. Among the Inklings, Lewis was at the forefront of writing on human pain, suffering, devilry, miracles and the supernatural, with books like The Screwtape Letters and more. It is no surprise, then, that he provides the main focus of this book by expert Inklings writer Colin Duriez. J. R. R. Tolkien's The Lord of the Rings trilogy offers another rich resource with much to say to the World War II era and beyond. Other Inklings writings and conversations come into play as well as Duriez explores the writers' considerations of evil and spiritual warfare, particularly focused in the context of wartime.Delving into the interplay between good and evil, these pages enlighten us to the way of goodness and the promise of a far country as we explore the way out of the shadow of evil.

Discover the Christian meaning in The Hobbit In Bilbo's Journey go beyond the dragons, dwarves, and elves, and discover the surprisingly deep meaning of J.R.R. Tolkien's classic novel The Hobbit. Bilbo's quest to find and slay the dragon Smaug is a riveting tale of daring and heroism, but as renowned Tolkien scholar Joseph Pearce shows, it is not simply Bilbo's journey, it is our journey too. It is the Christian journey of self-sacrifice out of love for others, and abandonment to providence and grace. In Bilbo's Journey: Discovering the Hidden Meaning of The Hobbit you will relive the excitement of Tolkien's classic tale, while discovering the profound Christian meaning that makes The Hobbit a truly timeless adventure.

This book takes Chesterton's 'natural theology' through fairytales seriously as a theological project appropriate to an intellectual attempt to return to faith in a secular age. It argues that Tolkien's fiction makes sense also as the work of a Catholic writer steeped in Chestertonian ideas and sharing his literary-theological poetics. While much writing on religious fantasy moves quickly to talk about wonder, Milbank shows that this has to be hard won and that Chesterton is more akin to the modernist writers of the early twentieth-century who felt quite dislocated from the past. His favoured tropes of paradox, defamiliarization and the grotesque have much in common with writers like T. S. Eliot, Ezra Pound and James Joyce and their use of the demotic as well as the 'mythic method'. Using Chesterton's literary rhetoric as a frame, the book sets out to chart a redemptive poetics that first decentres the reader from his habitual perception of the world, then dramatizes his self-alienation through the grotesque, before finding in that very alienation a sort of pharmakon through paradox and an embrace of difference. The next step is to change one's vision of the world beyond the self through magic which, paradoxically, is the means by which one can reconnect with the physical world and remove the fetishism and commodification of the object. Chesterton's theology of gift is the means in which this magic becomes real and people and things enter into reciprocal relations that reconnect them with the divine.

Recent scholarship on Tolkien has been especially attentive not only to the importance of religion in his personal life, but also to the wider theological implications which may be drawn from his works. In this study, Alana M. Vincent argues that the cultural influence of The Lord of the Rings provides an excellent model for understanding the mutually transformative relationship between religion and culture, and in so doing also provides an important and unexplored pathway for inter-religious exchange.

J. R. R. Tolkien's magnum opus, The Lord of the Rings has been beloved for generations, selling millions of copies and selling millions more tickets through its award-winning film adaptations. The immense cultural impact of this epic is undeniable, but the deeper meaning of the story often goes unnoticed. Here, Joseph Pearce, author of Bilbo's Journey uncovers the rich--and distinctly Christian--meaning just beneath the surface of The Lord of the Rings. Make the journey with Frodo as he makes his perilous trek from the Shire to Mordor, while Pearce expertly reveals the deeper, spiritual significance. Did you know that the events of The Lord of the Rings are deeply intertwined with the Christian calendar? Or what the Ring, with its awesome and terrible power represents? How do the figures of good and evil in the story reflect those forces in our own lives? Find the answers to these questions and much more in Frodo's Journey.

In his distinctive work, Christopher Scarf explores the writings of the three most prominent Oxford Inklings - Charles Williams (1886-1945), C.S. Lewis (1898-1963), and J.R.R. Tolkien (1892-1973) - to reveal and contrast their conceptions of the ideal of 'kingship'; divine, human, and mythological. As practising Christians, the faith of all three writers was central to their literary and personal visions of kingship, society, love, beauty, justice and power. Scarf investigates their beliefin God as Creator and heavenly King, opinions on the nature of His very being, and the way in which all believed the Creator to be unique rather than one among many. The relationship between the earthly and heavenly King is considered, as well as the extent to which the writers contend that earthly kings are God's viceregents, act with His authority, and are duty-bound to establish and sustain just and joyous societies. Examining the writings of all three men in detail, Scarf also highlights the covert evidence of their lives and personalities which may be discovered in their texts. An understanding of the authors' individual but overlapping views of the essential meaning of Kingship, and their personalities and early lives, will enrichthe reader's appreciation of their created worlds. This volume provides a unique focus on Kingship and the Christian beliefs of three well-loved writers, and will be of interest to any reader seeking a fuller understanding of the individuals and their works.

The conversation, sometimes heated, about the influence of Christianity on the writings of J.R.R. Tolkien has a long history. What has been lacking is a forum for a civilized discussion about the topic, as well as a chronological overview of the major arguments and themes that have engaged scholars about the impact of Christianity on Tolkien's oeuvre, with particular reference to The Lord of the Rings. The Ring and the Cross addresses these two needs through an articulate and authoritative analyses of Tolkien's Roman Catholicism and the role it plays in understanding his writings. The volume's contributors deftly explain the kinds of interpretations put forward and evidence marshaled when arguing for or against religious influence. The Ring and the Cross invites readers to draw their own conclusions about a subject that has fascinated Tolkien enthusiasts since the publication of his masterpiece, The Lord of the Rings.